The Analyst’s Ear and the Critic’s Eye is the first volume of literary criticism to be co-authored by a practicing psychoanalyst and a literary critic. The result of this unique collaboration is a lively conversation that not only demonstrates what is most fundamental to each discipline, but creates a joint perspective on reading literature that neither discipline alone can achieve. This book radically redefines the relationship between psychoanalysis and literary studies in a way that revitalizes the conversation between the two fields.
Key Features
- Richly textured descriptions of analytic work that illuminate the intersubjective dimension of analytic practice.
- Addresses fundamental questions about psychoanalytic literary criticism and its relationship to both psychoanalysis and literary studies.
- Provides insights into how clinical experience shapes literary reading and vice versa.
- Aimed at mental health professionals, literary scholars, and those studying psychoanalysis and literature.
Additional Information
This is achieved, in part, by providing clinical illustrations that bring to life the intersubjective dimension of analytic practice, which is integral to the book’s original conception of psychoanalytic literary criticism. In their readings of seminal works of American and European literature, the authors address questions such as:
- What is psychoanalytic literary criticism?
- Which concepts are most fundamental to psychoanalytic theory?
- What is the role of psychoanalytic theory in reading literature?
- How does an analyst’s clinical experience shape the way he reads?
- How might literary critics make use of the analyst’s experience with his patients?
- What might psychoanalysts learn from the ways professional literary critics read?
This volume provides cutting edge work which will breathe new life into psychoanalytic ways of reading, free from technical language, yet drawing upon what is most fundamental to psychoanalytic theory and practice.
